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The Village Is the City

Aug 30, 2025
4 min read

Author Note:

I have been thinking about cities for a long time, from multiple directions simultaneously — as a designer, a policy analyst, a GIS researcher, a speculative thinker, and someone who has lived in enough places to have opinions about what makes them work and what makes them quietly unbearable. This essay tries to pull those threads together.

Urban Development Insights from a Creative Mind


When I was nineteen, I wrote a one-page response to the prompt "what is your plan to make the world a better place?" My answer, in essence, was: bring traditional Asian practices — the banana leaf composting, the clay storage containers, the artisan economies — into the modern world. It was earnest and slightly grandiose and, I think, more correct than I knew at the time.


The idea underneath it was one I've been refining ever since: that the solutions to the problems of modern cities are not always in front of us but behind us, embedded in the practices of communities that organized themselves around sustainability and human connection long before those words became buzzwords. That the future of urban development is not more infrastructure but smarter relationship to existing infrastructure. That cities don't need to be bigger — they need to be better at being inhabited.


I've approached this from a lot of angles in my mind.


As a designer, I imagined what San Diego might look like in 2072 if we stopped building outward and started building differently — repurposing elevated highway structures for housing and walkways, restoring native ecologies rather than fighting them, letting the city's actual landscape reassert itself beneath the concrete. The opening image I wrote for that project was of a person sitting on a walkway surrounded by small purple flowers, bees, holograms merging with palm trees, the scent of an herbed breeze. Not a utopia exactly — the "foundations of half a century ago still stand" — but a city that had made peace with its own ground.


As a policy analyst, I ran GIS data on walkability in San Diego and found what the literature already knew but the city's design hadn't fully absorbed: that public space is not experienced equally, that women in particular navigate urban environments with a set of calculations that most city planners have never had to make, and that the location and maintenance of community spaces — parks, libraries, gathering points — has measurable effects on neighborhood safety and civic engagement. The city is not a neutral container. It is an argument about who belongs in it.


As a business strategist, I looked at IBM's smart city initiative and argued that the most credible path for a century-old technology company ran through urban infrastructure — because forty-three megacities are projected globally by 2030, because forty-five percent of government organizations entered the pandemic entirely unprepared, because the gap between what cities need and what they currently have is a ~$41 trillion investment opportunity. The technology exists. The will to deploy it equitably is the variable.


And as a speculative designer, I kept returning to the same set of questions across every project: who is the city built for, and what would it look like if the answer were genuinely everyone?


The concept I keep circling, and haven't fully articulated until now, is what I'd call the village-as-city. Not a nostalgic return to pre-urban life — I have less interest in that argument (other than within stress-induced daydreams), and it misses the point entirely. What I mean is something more specific: that the village, as a social structure, operated on a set of principles that modern cities have largely abandoned and are now quietly desperate to recover. Proximity without isolation. Shared resources without shame. Accountability to neighbors. Intergenerational knowledge transfer. The understanding that individual wellbeing and collective wellbeing are not competing priorities but the same priority, expressed at different scales.


Modern cities have optimized for efficiency and density and, increasingly, for the kind of individualism that presents itself as freedom but functions more like loneliness with good branding. The pressure cooker of contemporary urban life — the stress, the isolation, the sense that everyone around you is performing productivity rather than actually living — is not an accident of human nature. It is a design outcome. Cities were built this way, and they can be built differently.


The interventions I find most interesting are not the grand ones. They are the ones that work at the scale of the block, the walkway, the community space. Restoring native ecologies so the city feels like it belongs to its own landscape. Designing transit infrastructure that accounts for the fact that women and men do not experience public space the same way. Building in the redundancy of traditional knowledge — the midwife, the community elder, the artisan — rather than assuming that centralized systems can serve every need. Creating the conditions for people to know their neighbors, which sounds trivially simple and is apparently extraordinarily difficult to engineer.


I grew up between two cultures that both, in different ways, understood the village as the basic unit of human organization. The Indian joint family system, the communal rituals, the assumption that you exist in relation to others rather than in spite of them — these are not antiquated inconveniences. They are technologies for human survival that we discarded in the name of progress and are now quietly trying to reinvent under different names.


The city can be the village. It requires different priorities, different metrics of success, different willingness to ask whose needs the design is actually serving. But the knowledge of how to do it is not lost. It is waiting, in the practices and the places and the people that survived the pressure to modernize everything at once.


I'd rather build that city than the alternative. I've been trying to figure out how since I was nineteen, sitting on an imaginary walkway with small purple flowers and bees, trying to describe something I couldn't quite name yet.


I think this is the name.


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